On the 6th of January 2017 Jatun Risba performed “Vračanje” (Return), an art intervention that took place in front of the Ljubljana Cathedral in Ljubljana, Slovenia.
The performance embodies the return of “the outlaw”: the selves, who the society and the culture we live in refuse to acknowledge and validate. What looks like a Via Crucis, turns out to be a flight of an Unmanned aerial vehicle (UAV), a combat drone. The tied double, represented by the mannequin head, questions how our planet would be like if humans suddenly disappeared. By openly exposing vulnerability in public places, the author aspires to generate a wormhole that embraces the left out, for an alchemical process of healing.