Join the first course of Hypnotic Dance in the lovely city of Strasbourg, France on Saturday 23rd and Sunday 24th of March. The course will be held – same schedule and costs – the coming weekend (30th & 31st of March) in Milan. Reserve your place at email@example.com.
FOR IMMEDIATE RELEASE
Jatun Risba’s actio ‘Fortune’ enriches the gaming exhibition ICE London 2019. The work raises the question: “Can we devise and play games where all are winners?”
EXCEL LONDON, UK, – February 5,6 & 7, 2019 –
At the exhibition ICE London 2019, the world’s largest gathering of Gaming professionals, Jatun Risba will hunt and share a fortune with a durational art piece that stops time.
The artist Jatun Risba will perform ‘Fortune’ every day starting 11:00 and continuing until the public closure of the show (at 18:00 on Tue/Wed and at 16:00 on Thu). The total duration of the work, divided into the three days of gaming exhibition, will amount to 19 hours of performance.
Jatun Risba will wear a gold full-body catsuit and will carry a black travel case in the hands. The costume and the physical actions will capture visitors’ attention. After identifying “the right spot”, Jatun Risba will collapse onto the floor, open the travel case over the head and wash the face off under a stream of casino chips. The artist will then remain lying still on the floor, immobile, like a showpiece for the rest of day.
ABOUT THE WORK
In the work ‘Fortune’ Jatun Risba ponders – : “What is a fortune? Your thinking-body is gold, yet you take it for granted or overidentify with it. Attachment to external goods causes a loss of sight and balance. How can you cultivate a fortune within? What is the path to your treasure house of infinity?”
The work stages an opposition between the material appeal of (shiny, vertical and tactile) casino currency and the detached anonymity of money. Both currencies have no intrinsic value in themselves, yet have a tremendous impact on our lives. The actio ‘Fortune’ explores how we can embody, create and share a fortune in healthy and responsible ways?
ABOUT THE ARTIST
Jatun Risba is a London based Slovenian artist who has extensively exhibited, lectured and performed internationally: in Slovenia, Italy, France, Bulgaria, Spain, USA, Mexico; ‘Fortune’ is the first work presented in United Kingdom. Jatun Risba uses the pronoun “ki” which acknowledges and honours the beingness of all (living) matter. More information about Risba’s work can be found at www.artsofself.com.
Telephone/WhatsApp: +386-51-776-933 (Jatun Risba)
Email Address: firstname.lastname@example.org
A new Arts of Self work by Jatun Risba that nurtures and nourishes the spirits of oppressed adolescent girls beyond past and present. The first presentation of the project will occur at LaDIY*fest in Strasbourg, France as follows:
The live actio will be streamed on the project’s fb page. Like the page to easily follow the updates of the project.
Recently, Jatun Risba spent 4 days in Salento, the “heel” of the Italian “boot”, for a quick survey of the territory and its majestic material culture. Her first encounter with this land, its ancient folk traditions and its open, hospitable inhabitants, was extremely inspiring and rewarding. From September 2018 on, she will undertake an Artist in Residence program at STEAM Atelier in Lecce that will be divided into slots spread over a minimum of 12 months.The residency will allow Jatun to continue the field research about traditional possession rituals and passage rites, a study she had started in Ethiopia back in 2015, as well as to create and present new developments of her life-long Intermedia Art project MRI MS. My Resting In Myself Sane.
Before each new Art event, an open steam lab (promoted by STEAM Atelier & Fab Lab Lecce Knos) will be held, during which the basis of the technological know-how employed in the project will be openly shared and collectivized with the local community. This is how people attending the workshops will immediately become an active part of the project and its organization in a decentralized modality of work.
Salento is the land of the Taranta, the Dance of the Spider, an ancient dancing healing ritual. During her recent short stay in Apulia, Jatun spent almost two full days in Galatina, the birthplace of the phenomenon of Tarantism. To get an idea of what tarantism was about, here is the documentary La taranta produced by Gianfranco Mingozzi:
The recordings from the docu-film were made inside the Chapel of St Paul in Galatina, the place where the first manifestationts of taranta occurred. The narrative of taranta tells us that it is only San Paolo (the Saint depicted on the altar in the photo bellow), who can release the “tarantata” from the malady caused by the spider bite and it is to San Paolo that the victim appeals for release during her ritual dancing.
However, the material culture of our time offers us a much different milieu in which to operate and the remedies for establishing an empowering life within a healthy community, should differ drastically from the ones used in pre-industrial agricultural societies. But how and what for?
In December 2017, the long-term art project MRI MS (2015-) has reached a turning point. With the work MRI MS_Vanitas. Life in motion the deconstruction of the author’s self was considered completed. After that, the project’s name MRI MS is being spelled-out “My Resting In Myself Sane”.
Photos of MRI MS_Vanitas by Miha Godec.
Jatun Risba: MRI MS_Vanitas. Life in motion
Vanitas vanitatum et omnia vanitas. (Vanity of vanities, all (is) vanity; Ecclesiastes)
→ SEE, PLAY WITH, DISRUPT AND APPROPRIATE (PARTS OF) THIS ASSEMBLAGE
‘MRI MS_Vanitas. Life in motion’ is the final elaboration of Jatun Risba’s art project MRI MS. My Regular Imagining of Multiple Self during its incubation at RAMPA Lab, Zavod Kersnikova in 2017. It is conceived as a mixed-media interactive assemblage with various tools and things for looking at and understanding the world. The edible human brains were formed with the use of rapid prototyping techniques, while the use of ordinary, found objects (“readymades”) reflects previous trends in manufacturing and artistic production.
As suggested by the title, the artwork is considered within the art genre of vanitas: memento mori representations, which remind the viewer of the evanescence of all matter reality. In contrast to vanitas still lifes, ‘MRI MS_Vanitas’ is conceived in a way to be “in motion”: the brain is melting, the candle is burning, the liquids are blobbing while the user is losing his or her sight in an endless game of reflections. Under observation here, beside the memento mori, are the complex and dynamic relations of particular objects to imagery and to the individuals and societies who both shape and are shaped by them. A performative autopoietic feedback loop (Fischer-Lichte, 2008) is established between objects and their users (makers).
‘MRI MS_Vanitas’ is deliberately set in a transitory ‘non-place’ (Marc Augé, 2000) – in the entry hall of a public building. There the rejected body of objects gets revived by offering to the casual passersby an opportunity to discover curiosity and attention and gather silence. The mirrors, the magnifying glasses, the artist book, the self … can then become something we look at, as well as into, in different, unique ways. What for?
‘MRI MS_Vanitas’ implies an appropriation of the “art that works” (Mustapha Khayati, 1966) which is realized through the appropriation of art (and life) itself. We can muse at its futility, mull over its grandness. We can …
Jatun Risba works as performance and intermedia artist, third theatre practitioner and writer. The long-term art project ‘MRI MS’ (2015-) is based on her lived experience as a woman and her détournement of Multiple Sclerosis into an exercise of Multiple Skills. Each ‘MRI MS’ situation is based on the use of a particular body or interface technology by means of which the artist highlights and maps the process of psychic and collective individuation. After a long-durational deconstruction and revelation of the self (in the 12-hrs Inter-esse performance ‘Exercises in dying’) and after a mind hacking distortion of reality with the use of special glasses (in the participatory research event ‘MRI MS_Upside down’) the artist further develops the motifs of transitoriness and in-betweenness but through a different medium. More information about her work at www.facebook.com/JatunRisbaMRIMS
The full video of the performative installation MRI MS_Vanitas. Life in Motion is available here.
October 27th 2017, Dika Gallery, Kamnik
Ecstasy of death is a suggestive miniature by Jatun Risba and Miša Gams. The performance enacts language patterns, customs, rituals, sentiments and beliefs concerning death and the process of dying in the Slovene ethnic territory. In order to be seen, heard, felt by the spectators. In order to be remembered, acknowledged, reflected upon and updated.
The project was organized in partnership with the local art community of Kamnik, a medieval and Baroque city in the lap of the mountains, and performed in close proximity to the Day of Remembrance on November 1st. Before 1991, in the time of the Socialist Republic of Slovenia (in ex-Yugoslavia), the feast was named “dan mrtvih”, the Day of the Dead. On this day locals pay respects to the deceased by visiting the cemetery where they light candles and bring flowers to the graves.
Below you can watch a short trailer of the work. More photos by Janez Zalaznik and a critical review (in Slovene) of the event are available here.
VSTOP PROST + RAMPA Lab / MRI MS_techno
//rave at Špitalska chapel in Celje (SLO), 13 October 2017 from 20:30-22:00
Art direction: Jatun Risba
DJ set: Nina Dragičević
‘MRI MS_techno’ is ecstasy with electronic music; a variation on themes of rave parties, nonviolence and opensourceness; a service of bodies in movement that liberates and connects …
FREE ENTRY. Welcome everybody!
More info at Fb event page
_ _ _
the sounds of Magnetic Resonance Imaging as a techno hymn
the thinking body is shuffling
the thinking body is dancing hardstyle
your pupils are so wide
and your eyes are so big
when gazing at FLOSS1
+- MRI MS is a body in motion for healthcare reform + –
MRI MS is
My Resting In Myself Sane
1 FLOSS: Acronym for Free/Libre/Open-Source Software, a movement for the freedom to run, study, change and freely redistribute copies of software with or without changes.
Immeasurable Results by Lynn Randolph
The night before the participatory performance MRI MS_upside down, I wore the upside down glasses for the first time.
The wearing time was intentionally short (15-20 min) because I wanted to preserve the alienation effect for the next eve’s experiment. I put the glasses on and started walking around the room, moving and rising up the ladder in the attempt of configuring how my body looks and feels like with a detoured vision. The experience was striking: my head was tense and heavy, my limbs troubled. I thought: “This is going to be the hardest performance I’ve ever done, even more demanding than the 12 hours long performance Exercises in dying as it affects the brain directly.”
When the test was over I had a 15 minutes long phone conversation. I wanted to share some insecurities about the experience, but encountered difficulties in formulating comprehensive sentences. My linguistic skills went lacking. I was stuttering – a dysfunction I’ve never had problems with, in everyday life – and showing signs of dyslexia: inverting the position of certain letters in words, another dysfunction I am not affected by normally.
Nonetheless, my prognosis about the event MRI MS_upside down was incorrect! The research experiment ran even too smoothly, leaving no space for unexpected outbursts of creativity or insight. My embodied brain was already accustomed to an upside down vision of reality and the curious shock of the eve before could not be repeated again.
Can this not be taken as a tangible proof of neuroplasticity, the ability of the brain to modify its connections and re-wire itself?
(Written by Jatun Risba in the weeks and months following the performance)
The participatory research event ‘MRI MS_Upside down’ at Rampa Lab (Zavod Kersnikova) ended with a Dionysian subversion of cultural codes. Jatun Risba was running and falling among the gathered people in the corridors at Kersnikova 4, who were patiently waiting in front of Kapelica Gallery closed doors for the inauguration of an exhibit that ended up postponed until further notice. About the action, Risba states:
“Artists of self cannot turn their backs to the contradictions and opportunities that inhabit our social scape. Since they’ve trained their thinking body to awareness and inspired responsiveness, they would rather not numb impulses. They would rather not pretend not to see, listen or feel. My action that followed the ‘MRI MS_Upside down’ participatory event can be regarded as a hic et nunc art intervention that aimed to foster awakening and its embodiment in worldly life.”
Project is supported by Ministry of Culture of the Republic of Slovenia, Municipality of Ljubljana and Student Organization of the University of Ljubljana.